Le travail présenté sur ce site est constitué par mes notes de recherche. Il a principalement été réalisé entre 2007 et 2019 alors que je poursuivais des études de baccalauréat, de maîtrise et de doctorat en histoire de l'art. Mes questions de recherche portaient sur les expositions organisées à Montréal entre 1860 et 1920, principalement les expositions d'œuvres prêtées à l'Art Association of Montreal devenue depuis le Musée des beaux-arts de Montréal. Le contenu est donc fortement orienté dans cette direction. Malgré tout, j'espère qu'il saura vous renseigner sur des aspects de cette période de notre passé artistique. Vous pouvez accéder à l'accueil des notes de recherche ou retourner sur l'accueil du site marcgauthier.com.
Autres titres
The Hangover (Suzanne Valadon) (FoggArtMuseum)
Année de création
1887
Commentaires
* Brooke 1989 p.62:
Cambridge (MA), The Fogg Art Museum, Harvard University, legs de la collection de Maurice Wertheim
* Brooke 1989 p.233 inv.1205:
1887-1889
Signé en bas à droite: HTLautrec
Huile et crayon noir (ou pierre noire) sur toile
47,1 x 55,5 cm
Cambridge (MA), Fogg Art Museum, collection de Maurice Wetheim, promotion de 1906
- Historique:
(?) Paris, Aristide Bruant;
Paris, Maurice Masson, jusqu'en 1911;
Paris, vente Drouot, 22 juin 1911, no.40, à Bourgeois;
New York, Stephan Bourgeois;
Montréal, Sir William Van Horne, acquis de Bourgeois, en 1911, jusqu'en 1915;
New York, vente par les héritiers, Parke-Bernet, 24 janvier 1946, no.6 [reprod..], 30,000$, à Wertheim;
New York, Maurice Wertheim, 1946-1951.
- Expositions:
NY 1913 Armory Show
AAM 1933 Van Horne
[...]
- Bibliographie [...]
* Fogg Art Museum 2016:
Object Number: 1951.63
Title: The Hangover (Suzanne Valadon)
Original Language Title: Gueule de Bois / La Buveuse
Classification : Paintings
Work Type: painting
Date: 1887-1889
Culture: French
Medium: Oil on canvas
Dimensions: 47 x 55.3 cm (18 1/2 x 21 3/4 in.)
framed: 71.2 x 79 x 9 cm (28 1/16 x 31 1/8 x 3 9/16 in.)
Inscriptions and Marks: Signed: l.r.: HTLautrec
inscription: Back of canvas, handwritte in black chalk or crayon: Henri de Toulouse-Lautrec
inscription: On stretcher, handwritten in black ink(?): 47018
- Provenance:
?Aristide Bruant, Paris. Maurice Masson (1911) sold; [through Drouot, Paris, no. 40]; to Stephane Bourgeois, New York, (by 1913) sold; to Sir William van Horne, Montreal (until January 24, 1946) sold; [through Parke-Bernet]; to Maurice Wertheim (1946-1951) bequest; to Fogg Art Museum.
Notes:
Stephane Bourgeois may have purchased the painting with Colnaghi. He was named as lender to the 1913 Armory show.
- Object Number : 1951.63
- Publication History:
International Exhibition of Modern Art, exh. cat., Armory of the 69th Infantry (New York, NY, 1913), no. 1061
Gustave Coquiot, H. de Toulouse-Lautrec, A. Blaizot (Paris, France, 1913), repr. p. 145
Maurice Joyant, Henri de Toulouse-Lautrec, 1864-1901 (Paris, France, 1926), vol. I, pp. 98, 267, repr. p. 87
Gotthard Jedlicka, Henri de Toulouse-Lautrec, Bruno Cassirer (Berlin, Germany, 1929), repr. p. 109
The Sir William Van Horne Collection, exh. cat., Art Association of Montreal (Montreal, Canada, 1933), no. 148
E. Schaub-Koch, Psychoanalyse d'un peintre moderne (Paris, France, 1935), p. 178
Gerstle Mack, Toulouse-Lautrec, Alfred A. Knopf, Inc. (New York, NY, 1938), p. 293
Jacques Lassaigne, Toulouse-Lautrec, Hyperion Press (London, England and New York, NY, 1939), p. 14, repr. p. 76
J. Rinaldini, Toulouse-Lautrec (Buenos Aires, Argentina, 1942), repr. p. 38
Loan Exhibition of Great Paintings in Aid of Allied Merchant Seamen, exh. cat., Art Gallery of Toronto (Toronto, Ontario, Canada, 1944), no. 79
French Painting since 1870, lent by Maurice Wertheim, Class of 1906, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), pp. 34-37, repr. p. 35
Six Masters of Post-Impressionism, exh. cat., Wildenstein & Company (New York, NY, 1948), no. 26
La Peinture Française Depuis 1870: Collection Maurice Wertheim, exh. cat., Tom Taylor (Québec, Canada, 1949), no. 15, pp. pp. 42-44
A Collector's Exhibition: Impressionist and Post-Impressionist Masterpieces from the Collections of Members of the Advisory Committee of the Institute of Fine Arts., exh. cat., Knoedler & Co. Inc. (New York, NY, 1950), no. 15
Alfred M. Frankfurter, "Toulouse-Lautrec: the Artist", ARTnews Annual (1951), no. 20, pp. 87-126; repr. p. 100
Francis Jourdain and Jean Adhémar, T-Lautrec: Essai sur Toulouse-Lautrec, P. Tisne (Paris, France, 1952), repr. p. 26
Jacques Lassaigne, Lautrec, Skira Books (Geneva, Switzerland, 1953), p. 36, repr. p. 26
Henri Perruchot, La Vie de Toulouse-Lautrec (Paris, France, 1958), p. 137
Vincent van Gogh, The Complete Letters of Vincent van Gogh (Greenwich, CT, 1958), no. 470
The Maurice Wertheim Catalogue: Modern French Art-- Monet to Picasso, exh. cat., North Carolina Museum of Art (Raleigh, NC, 1960), p. 56, repr. p. 57
The Maurice Wertheim Collection: Modern French Art-- Manet to Picasso, exh. cat., Museum of Fine Arts, Boston (Houston, TX, 1962), pl. 21, pp. 52-53
Milton W. Brown, The Story of the Armory Show, The Joseph H. Hirshorn Foundation (New York, NY, 1963), repr. p. 294
1913 Armory Show: Fiftieth Anniversary Exhibition, exh. cat., Munson-Williams-Proctor Institute (Utica, NY, 1963), repr.
Philippe Huisman and M. G. Dortu, Lautrec par Lautrec (Paris, France, 1964), pp. 59, 253
Maurice Sérullaz, Les Peintres Maudits, Librairie Hachette (Paris, France, 1968), repr. p. 14
G. Caproni and G. M. Sugana, L'Opera Completa di Toulouse-Lautrec (Milan, Italy, 1969), no. 227a
Toulouse-Lautrec, Casa Editrice G. C. Sansoni (Florence, Italy, 1970), repr.
M. G. Dortu, Toulouse-Lautrec et son oeuvre (New York, NY, 1971), vol. II, no. P340, p. 167
The Maurice Wertheim Collection, exh. cat., Maine State Museum (Augusta, ME, 1972), no. 37
Diane Kelder, The Great Book of French Impressionism, Abbeville Press (New York, NY, 1980), repr. in b/w p. 290
Bogomila Welsh-Ovcharov, Vincent van Gogh and the Birth of Cloisonism, exh. cat., Art Gallery of Ontario (Toronto, Ontario, Canada, 1981), pp. 319, 340
Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), no. 222, p. 195, repr. in b/w
Sandy Easterbrook, "Technical Examination and Comparison of Two Toulouse-Lautrec Paintings in the Wertheim Collection of the Fogg Art Museum" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1985), Unpublished, pp. 1-28 passim
John O'Brian, Degas to Matisse: the Maurice Wertheim Collection, exh. cat., Harry N. Abrams, Inc./Fogg Art Museum (New York, NY and Cambridge, MA, 1988), no. 16, pp. 81-83, repr. in color p. 82
Janet M. Brooke, Discerning Tastes: Montreal Collectors 1880-1920, exh. cat., The Montreal Museum of Fine Arts (Montreal, Canada, 1989), fig. 23, p. 62
Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 90, color plate; p. 131, 256, repr. b/w cat. no. 388
The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1990), repr. in color no. 22, p. 75
Claire Freches and Jose Freches, Toulouse-Lautrec: Les Lumieres de la Nuit, Decouvertes Gallimard/Reunion des Musées Nationaux (Paris, France, 1991), repr. in color on title page, p. 11
Toulouse-Lautrec, exh. cat., South Bank Centre/Reunion des Musées Nationaux (London, England and Paris, France, 1991), no. 46, p. 190, repr. in b/w
Gale B. Murray, Toulouse-Lautrec: the Formative Years, 1878-1891, The Clarendon Press (Oxford, England, 1991), repr. in b/w p. 164; text pp. 163-165
Frank Milner, Toulouse-Lautrec, Smithmark (New York, NY, 1992), repr. in color pps. 56-57, text p. 57
Gale B. Murray, ed., Toulouse-Lautrec: a Retrospective, Hugh Lauter Levin Associates, Inc. (New York, NY, 1992), repr. as colorplate 26
Daniele Devynck, Toulouse-Lautrec, Profils de l'Art, Chene (Paris, France, 1992), repr. in color no. 2, p. 29
Gilles Neyret, Henri de Toulouse-Lautrec 1864-1901, Benedikt Taschen Verlag (Cologne, Germany, 1993), repr. in color p. 40
Henri de Toulouse-Lautrec (Japan, 1994), repr. in color, fig. 12
"Toulouse-Lautrec and Women", exh. cat., Basil & Elise Goulandris Foundation (Andros, 2001), p. 21, repr. as fig. 4
Gilles Néret, Renoir: Painter of Happiness, Taschen (Köln, Germany, 2001), repr. in color, p. 276
Daniele Devynck, "Toulouse-Lautrec and Women", Toulouse-Lautrec Woman as Mtyh, Basil & Elise Goulandris Foundation and Umberto Allemandi & C. (Andros and Turin, 2001), pp. 19-30, p. 21 and repr. as fig. 4
Jill Berk Jimenez, ed., Dictionary of Artists' Models, Fitzroy Dearborn Publishers (London and Chicago, 2001), pp. 537-540, repr.
Pierre Cabanne, Toulouse-Lautrec, Editions Pierre Terrail (Paris, 2003), p. 56; repr. in color pp. 58-59
Richard Thomson and Philip Dennis Cate, Toulouse-Lautrec and Montmartre, exh. cat., National Gallery of Art/Art Institute of Chicago (Washington DC / Chicago IL, 2005), p. 69; repr. p. 85 as fig. 92; no. 92 in checklist, p. 256
Picasso: Five Themes, exh. cat., Pola Museum of Art (Kanagawa, Japan, 2006), p. 38, repr. as fig. 1
Moira Egan and Cushing-Malloy, Inc, Bar Napkin Sonnets (Ann Arbor, 2009), repr. in color on front cover
John Varriano, Wine: A Cultural History, Reaktion Books (London, 2010), pp. 201-202, repr. p. 201 as fig. 96
Louis-Antoine Prat, Le dessin français au XIXe siècle, Somogy Éditions d'Art (Paris, 2011), p. 553
Colin B. Bailey and The Frick Collection, Renoir, Impressionism, and Full-Length Painting, exh. cat., Yale University Press (New Haven, CT and London, England, 2012), p. 206, repr, fig. 12
Vivien Raynor, "Art: Impressionist Show at the I.B.M. Gallery" [review], The New York Times (New York, NY, April 26, 1985), p. C24
Twenty Distinguished Modern Paintings (sale of the van Horne collection), auct. cat., Parke-Bernet Galleries, Inc. (New York, NY, January 24, 1946), p. 10
Howard Devree, "By French Masters: Memorable Loan Show in Philadelphia", The New York Times (New York, NY, July 7 1957), p. 70, p. 70
"The Calendar", Harvard University Gazette (Cambridge, MA, June 19, 1970), repr. b/w p. 8
Alfred M. Frankfurter, "Today's Collectors: Modern Milestones", Art News (June 1946), vol. XLV, no. 4, p. 64; repr. in b/w p. 30
A. Brook, "Henri de Toulouse-Lautrec", The Arts (September 1923), p. 142
Elizabeth M. Rudy, "Researching the Wertheim Collection at the Harvard Art Museums", Collections: A Journal for Museum and Archives Professionals (Summer 2014), Vol. 10, No. 3, pp. 301-6
- Exhibition History:
Exhibition of Modern Art, Armory of the 69th Infantry, New York, 01/01/1913 - 12/31/1913
Exhibition: A selection from the collection of the late Sir William Van Horne KCMG 1843-1915, Art Association of Montreal, Montreal, 01/01/1933 - 12/31/1933
Loan Exhibition of Great Paintings in Aid of Allied Merchant Seamen, Art Gallery of Ontario, Toronto, 02/04/1944 - 03/15/1944
French Painting since 1870 lent by Maurice Wertheim, Class of 1906, Fogg Art Museum, Cambridge, 06/01/1946 - 09/07/1946; National Gallery of Art, Washington, 07/01/1953 - 09/13/1953
Six Masters of Post-Impressionism, Wildenstein Gallery, New York, New York, 04/08/1948 - 05/08/1948
La Peinture Française depuis 1870, Musée de la Province de Quebec, 07/12/1949 - 08/07/1949
A Collector's Exhibition, M. Knoedler & Co., Newport, 02/06/1950 - 02/25/1950
The Maurice Wertheim Collection, The Metropolitan Museum of Art, New York, 07/01/1952 - 09/14/1952
French Paintings Since 1870 from the Maurice Wertheim Collection, National Gallery of Art, Washington, 06/01/1953 - 09/30/1953
The Maurice Wertheim Collection, Philadelphia Museum of Art, Philadelphia, 06/15/1957 - 09/15/1957
The Maurice Wertheim Collection, Minneapolis Institute of Arts, Minneapolis, 06/10/1958 - 08/31/1958
The Maurice Wertheim Collection: Modern French Art--Monet to Picasso, North Carolina Museum of Art, Raleigh, 06/17/1960 - 09/04/1960
The Maurice Wertheim Collection: Manet to Picasso, The Museum of Fine Arts, Houston, Houston, 06/13/1962 - 09/02/1962
The Maurice Wertheim Collection, Baltimore Museum of Art, Baltimore, 06/20/1963 - 09/01/1963
The Maurice Wertheim Collection, Currier Museum of Art, Manchester, 06/24/1965 - 09/07/1965
The Maurice Wertheim Collection, Rhode Island School of Design, Museum of Art, Providence, 09/03/1968 - 09/22/1968
The Maurice Wertheim Collection, Montgomery Museum of Art, Montgomery, 06/01/1971 - 09/30/1971
The Maurice Wertheim Collection, Maine State Museum, Augusta, 06/01/1972 - 09/01/1972
Manet to Matisse: The Maurice Wertheim Collection, IBM Gallery of Science and Art, New York, 04/09/1985 - 05/25/1985
The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, Isetan Department Store, Tokyo, 03/01/1990 - 04/10/1990; Yamaguchi Prefectural Museum of Art, 04/14/1990 - 05/13/1990
Toulouse-Lautrec and Montmartre, National Gallery of Art, Washington, 03/20/2005 - 06/12/2005; The Art Institute of Chicago, Chicago, 07/16/2005 - 10/10/2005
Re-View: S427 Impressionist & Postimpressionist Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/02/2008 - 06/18/2011
32Q: 1220 Wertheim, Harvard Art Museums, 11/01/2014
- Source:
http://www.harvardartmuseums.org/art/229060
Page consultée le 29 sept 2014
Collectionneur(s) / propriétaire(s) recensés de l'œuvre
