Le travail présenté sur ce site est constitué par mes notes de recherche. Il a principalement été réalisé entre 2007 et 2019 alors que je poursuivais des études de baccalauréat, de maîtrise et de doctorat en histoire de l'art. Mes questions de recherche portaient sur les expositions organisées à Montréal entre 1860 et 1920, principalement les expositions d'œuvres prêtées à l'Art Association of Montreal devenue depuis le Musée des beaux-arts de Montréal. Le contenu est donc fortement orienté dans cette direction. Malgré tout, j'espère qu'il saura vous renseigner sur des aspects de cette période de notre passé artistique. Vous pouvez accéder à l'accueil des notes de recherche ou retourner sur l'accueil du site marcgauthier.com.
Commentaires
* Brooke 1989 p130:
Cambridge (MA), The Fogg Art Museum, Harvard University, Legs Grenville L. Winthrop
* Brooke 1989 p.177 inv.144:
Day [et] Night
1870
Signé et daté en bas à droite: E. Burne Jones/MDCCCLXX [Day] ; [illisible] MDCCCLXX [Night]
Aquarelle, gouache et peinture métallique sur papier fixé sur panneau
120,7 x 44,4 cm (chaque panneau)
Cambridge, Fogg Art Museum, Legs Grenville L. Winthrop
- Historique:
Londres, Frederick R. Leyland, jusqu'en 1892
Londres, vente Christie's, 28 mai 1892, no.43, 1415£, à Agnew
Londres, Joseph Ruston, jusqu'en 1898
Londres, vente Christie's, 21 mai 1898, no.26, sous le titre Dawn and Night, 1050£, à Agnew
Montréal, James Ross, avant 1901, jusqu'en 1913
Londres, vente par les héritiers, Christie's, 8 juillet 1927, no.1, 231 guinées, à Leggatt
[...]
- Expositions:
Londres, Grosvenor Gallery, 1878
Liverpool 1886, no.1165, 1170
Londres, New Gallery, 1893, no.61, 63
AAM 1901 (2) no.4-5
AAM 1914 no.26-27
AAM 1915 Ross, no.406, 451
[...]
- Bibliographie [...]
* Fogg Art Museum, Harvard University, 2016:
- Object Number: 1943.460
- Title: Day
- Work Type: drawing
- Date: 1870
- Medium: Watercolor, gouache and metallic paint on white paper mounted on very fine canvas originally attached to wooden panel
- Dimensions:
121.7 x 45.5 cm (47 15/16 x 17 15/16 in.)
frame: 134.6 x 58.4 x 6.7 cm (53 x 23 x 2 5/8 in.)
- Inscriptions and Marks:
Signed: l.r.: E BURNE-JONES. / MDCCCLXX
inscription: panel back of frame, upper left, black ink: Dawn.
inscription: panel back of frame, upper right, black ink: painted in water colour. / MDCCCLXX
inscription: back of frame, incised: (twice): M. GRIEVE CO. / HAND CARVED / NEW YORK & LONDON
inscription: panel back, stencilled in black ink: 36EM
label: panel back of frame, printed and inscribed: SCOTT & FOWLES / 680 FIFTH AVENUE / NEW YORK / No. 5903 [in black ink]
label: panel back of frame, printed and inscribed: This Picture, being painted in WATER / COLOUR, would be injured by the slight- / est moisture. / Great care must be used whenever / it is removed from the Frame. Inscribed on label in brown ink: Edward Burne-Jones
label: panel back of frame, printed: This Picture being painted in Water Colour, / would be injured by the slightest moisture. / Great care must be used whenever it is / removed from the Frame.
label: panel back of frame, printed and inscribed: [cut-out from sale catalogue]: E. BURNE-JONES, A.R.A., 1870. / 43 NIGHT AND MORNING--a pair--in water colours / 47 1/2 in. by 17 1/2 in.; also inscribed in brown ink: Purchased for Joseph Ruston Esq. by / Thomas Agnew & Sons at the sale of the / Leyland Collection, 28th May 1892
inscription: on threshold of doorway, in artist's hand: I AM DAY I BRING AGAIN / LIFE AND GLORY LOVE AND PAIN / AWAKE ARISE FROM DEATH TO DEATH / THROUGH ME THE WORLDS TALE QUICKENETH
- Provenance:
Commissioned from the artist by Frederick R. Leyland, London; his sale, Christie's London, May 28, 1892, no. 43 (£1,415); purchased at that sale by Thomas Agnew and Sons, London; Joseph Rushton; his sale, Christie's, London, May 21-23, 1898, no. 26 (£1,050); purchased at sale by Thomas Agnew and Sons, London; James Ross, Montreal, by 1901; his sale, Christie's, London, July 8, 1927, no. 1 (£231); purchased at that sale by Leggatt Brothers; Scott and Fowles, New York, 1927; acquired from them by Grenville L. Winthrop, October 18, 1927 ($3,000); his bequest to the Fogg Art Museum, 1943.
- Publication History:
Malcolm Bell, Edward Burne-Jones: A Record and Review, George Bell and Sons, Ltd. (London, England, 1892), pp. 5, 22, 30, 42, 63, 97, 109
Otto von Schleinitz, Burne-Jones, Velhagen und Klassing (Leipzig, Germany, 1901), pg. 26
Lady Georgiana Burne-Jones, Memorials of Edward Burne-Jones (2 vols.) (London, England, 1904), vol. II, pp. 9-10
Fortunée De Lisle, Burne-Jones, Methuen & Co. (London, England, 1906), pp. 105-6, 182
Malcolm Bell, Sir Edward Burne-Jones: A Bibliographical Study, G. Newnes Ltd. (London, 1909), pp. 29-30, pl. XXIV
Paintings and Drawings of the Pre-Raphaelites and their Circle, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), no. 16, repr.
John Christian, Burne-Jones: The Paintings, Graphic and Decorative Work of Sir Edward Burne-Jones, exh. cat., Arts Council of Great Britain, London (London, England, 1975), under no. 109, p. 44
Janet M. Brooke, Discerning Tastes: Montreal Collectors 1880-1920, exh. cat., The Montreal Museum of Fine Arts (Montreal, Canada, 1989), pp. 132, 177
Katharine A. Lochnan, ed., The Earthly Paradise: Arts and Crafts by William Morris and His Circle from Canadian Collections, exh. cat., Art Gallery of Ontario (Toronto, Canada, 1993), p. 22 and repr. fig. 1
Russell Ash, Sir Edward Burne-Jones, Harry N. Abrams, Inc. (New York, NY, 1993), pl. 6 (color) + text opposite
Christopher Newall, The Grosvenor Gallery Exhibitions: Change and Continuity in the Victorian Art World, Cambridge University Press (U.K.) (Cambridge, 1995), p. 57
Edwin Becker, Franz von Stuck, 1863-1928: Eros & Pathos, exh. cat., Van Gogh Museum / Waanders Publishers (Amsterdam/Zwolle, 1995), repr. fig. 7
Andrew Wilton and Robert Upstone, The Age of Rossetti, Burne-Jones and Watts: Symbolism in Britain 1860-1910, exh. cat., Flammarion (Paris, France and New York, NY, 1997), under no. 27
Stephen Wildman and John Christian, Edward Burne-Jones: Victorian Artist-Dreamer, exh. cat., Metropolitan Museum of Art / Harry N. Abrams, Inc. (New York, NY, 1998), p. 116, under no. 84
Christopher Wood, Burne-Jones: The Life and Works of Sir Edward Burne-Jones (1833-1898), Weidenfeld & Nicolson (London, England, 1998), pp. 70-71
Chikashi Kitazaki, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Ueno, Japan, 2002), cat. no. 52-1, repr. (color)
Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 155, repr.
Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (New York, NY, 2003), cat. no. 155, repr. (color)
Stephan Wolohojian, ed., Harvard Art Museum/ Handbook, Harvard Art Museum (Cambridge, MA, 2008), p. 160, repr.
Margot Th. Brandlhuber and Michael Buhrs, Franz von Stuck: Meisterwerke der Malerei, exh. cat., Hirmer Verlag (Munich, 2008), p. 150, fig. 2
Vincent Pomarède, "La Collection Winthrop: A la recherche de la beauté pure", L'Estampille/L'Objet d'art (April 2003), no. 379, pp. 34-45, p. 44
Julia Cartwright, "The Life and Work of Sir Edward Burne-Jones", Art Annual (London, Christmas number of the Art Journal 1894), pg. 17
Claude Phillips, "The Rushton Collection. The Modern Pictures - I, II", Magazine of Art (January 1894), 17, pp. 97-98
Victorian & British Impressionist Art, auct. cat., Christie's, London (London, July 11, 2013), p. 53
"The Grosvenor Gallery", Art Journal (London, July 1878), pg. 155
Frederick Wedmore, "Some Tendencies in Recent Painting", Temple Bar (London, July 1878), 53, pp. 336, 339
Lionel Robinson, "The Leyland Collection", Art Journal (May 1892), pg. 138
"The Grosvenor Gallery", The Times (London, May 2, 1878), pg. 7
Paul Leprieur, "Burne-Jones, décorateur et ornemaniste", Gazette des beaux arts (November 1, 1892), ser 3, 8, pg. 386
"Pre-Raphaelites", Bulletin of the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, November 1943), vol. X, pp. 62-63, pg. 26
"The Residence of Commander J.K.L. Ross, Peel Street, Montreal", Canadian Homes and Gardens (September 1926), 3, pp. 29-32
A.M. Gianelli, "Montreal Collection is Auctioned at Christie's", Canadian Homes and Gardens (September 1927), pp. 34-35
- Source:
http://www.harvardartmuseums.org/collections/object/298118?position=30
Page consultée le 21 mai 2016
Collectionneur(s) / propriétaire(s) recensés de l'œuvre
